Destry Rides Again is a 1939 western starring Marlene Dietrich and James Stewart, and directed by George Marshall. The supporting cast includes Mischa Auer, Charles Winninger, Brian Donlevy, Allen Jenkins, Irene Hervey, Billy Gilbert, Bill Cody, Jr., Lillian Yarbo, and Una Merkel. Although the title comes from Max Brand's popular novel, which inspired the earlier screenplay with Tom Mix, this version is almost entirely unrelated to either.
Read More#128 - Only Angels have Wings (1939)
Only Angels Have Wings is a 1939 American drama film directed by Howard Hawks, and starring Cary Grant and Jean Arthur, based on a story written by Hawks. The film also marked the first significant role in a major film for Rita Hayworth. It is generally regarded as being among Hawks' finest films, particularly in its portrayal of the professionalism of the pilots of the film, its atmosphere, and the flying sequences. Only Angels Have Wings was based on a number of real incidents witnessed by Hawks.
Read More#127 - Stagecoach (1939)
Stagecoach is a 1939 American Western film directed by John Ford and starring Claire Trevor and John Wayne in his breakthrough role. The screenplay, written by Dudley Nichols, is an adaptation of "The Stage to Lordsburg", a 1937 short story by Ernest Haycox. The film follows a group of strangers riding on a stagecoach through dangerous Apache territory. Stagecoach was the first of many Westerns that Ford shot using Monument Valley, in the American Southwest on the Arizona–Utah border, as a location, many of which also starred John Wayne. The film has long been recognized as an important work that transcends the Western genre. Philosopher Robert B. Pippin has observed that both the collection of characters and their journey "are archetypal rather than merely individual" and that the film is a "mythic representation of the American aspiration toward a form of politically meaningful equality." Still, Stagecoach has not avoided controversy. Like most Westerns of the era, its depiction of Native Americans as simplistic savages has been criticized as clear evidence of racism.
Read More#126 - Mr. Smith Goes to Washington (1939)
Mr. Smith Goes to Washington is a 1939 American political comedy-drama film directed by Frank Capra, starring Jean Arthur and James Stewart, and featuring Claude Rains and Edward Arnold. The film is about a newly appointed United States Senator who fights against a corrupt political system, and was written by Sidney Buchman, based on Lewis R. Foster's unpublished story "The Gentleman from Montana". The film was controversial when it was first released, but was also successful at the box office, and made Stewart a major movie star.
Read More#125 - Gone With the Wind (1939)
Gone with the Wind is a 1939 American epic historical romance film, adapted from Margaret Mitchell's 1936 novel of the same name. The film was produced by David O. Selznick of Selznick International Pictures and directed by Victor Fleming. Set in the American South against the backdrop of the American Civil War and the Reconstruction era, the film tells the story of Scarlett O'Hara, the strong-willed daughter of a Georgia plantation owner. It follows her romantic pursuit of Ashley Wilkes, who is married to his cousin, Melanie Hamilton, and her subsequent marriage to Rhett Butler. The leading roles are played by Vivien Leigh (Scarlett), Clark Gable (Rhett), Leslie Howard (Ashley), and Olivia de Havilland (Melanie). At the 12th Academy Awards, it received ten Academy Awards (eight competitive, two honorary) from thirteen nominations, including wins for Best Picture, Best Director (Fleming), Best Adapted Screenplay, Best Actress (Leigh), and Best Supporting Actress (Hattie McDaniel, becoming the first African American to win an Academy Award). It set records for the total number of wins and nominations at the time. The film has been criticized as historical revisionism glorifying slavery, and it has been credited with triggering changes in the way in which African Americans are depicted cinematically. Gone with the Wind was immensely popular when first released. It became the highest-earning film made up to that point, and held the record for over a quarter of a century. When adjusted for monetary inflation, it is still the most successful film in box-office history.
Read More#124 - Daybreak (1939)
Le jour se lève ([lə ʒuʁ sə lɛv], "The day rises"; also known as Daybreak) is a 1939 French film directed by Marcel Carné and written by Jacques Prévert, based on a story by Jacques Viot. It is considered one of the principal examples of the French film movement known as poetic realism.
Read More#123 - Gunga Din (1939)
Gunga Din is a 1939 RKO adventure film directed by George Stevens and starring Cary Grant, Victor McLaglen, and Douglas Fairbanks Jr., loosely based on the poem of the same name by Rudyard Kipling combined with elements of his short story collection Soldiers Three. The film is about three British sergeants and Gunga Din, their native bhisti (water bearer), who fight the Thuggee, an Indian cult, in colonial British India. The supporting cast features Joan Fontaine, Eduardo Ciannelli, and in the title role, Sam Jaffe. The epic film was written by Joel Sayre and Fred Guiol from a storyline by Ben Hecht and Charles MacArthur, with uncredited contributions by Lester Cohen, John Colton, William Faulkner, Vincent Lawrence, Dudley Nichols, and Anthony Veiller.
Read More#122 - Ninotchka (1939)
Ninotchka is a 1939 American film made for Metro-Goldwyn-Mayer by producer and director Ernst Lubitsch and starring Greta Garbo and Melvyn Douglas. It is written by Billy Wilder, Charles Brackett, and Walter Reisch, based on a screen story by Melchior Lengyel. Ninotchka is Greta Garbo's first full comedy, and her penultimate film. It is one of the first American movies which, under the cover of a satirical, light romance, depicted the Soviet Union under Joseph Stalin as being rigid and gray, in this instance comparing it with the free and sunny Parisian society of pre-war years.
Read More#121 - The Rules of the Game (1939)
The Rules of the Game is a 1939 French comedy-drama satirical film directed by Jean Renoir. It features an ensemble cast of Nora Gregor, Paulette Dubost, Mila Parély, Marcel Dalio, Julien Carette, Roland Toutain, Gaston Modot, Pierre Magnier and Jean Renoir himself. Renoir's portrayal of the wise, mournful Octave anchors the fatalistic mood of this pensive comedy of manners. The film depicts members of upper-class French society and their servants just before the beginning of World War II, showing their moral callousness on the eve of impending destruction. The Rules of the Game was the most expensive French film up to that time, with its original budget of 2.5 million francs increased to over five million. When directing the film, Renoir and cinematographer Jean Bachelet made use of deep-focus cinematography and long shots during which the camera is constantly moving, both sophisticated cinematic techniques in 1939. Renoir's career in France was at its pinnacle in 1939, and The Rules of the Game was eagerly anticipated; however, its premiere was met with scorn and disapproval by both critics and audiences. Renoir reduced the film's running time from 113 minutes to 85, but even then the film was a critical and financial disaster. In October 1939, it was banned by the wartime French government for "having an undesirable influence over the young".
Read More#120 - Wuthering Heights (1939)
Wuthering Heights is a 1939 American drama romance film directed by William Wyler and produced by Samuel Goldwyn. It is based on the novel, Wuthering Heights by Emily Brontë. The film depicts only sixteen of the novel's thirty-four chapters, eliminating the second generation of characters. The novel was adapted for the screen by Charles MacArthur, Ben Hecht and John Huston. The film earned nominations for eight Academy Awards, including for Best Picture and Best Actor in what many consider Hollywood's greatest single year. The 1940 Academy Award for Best Cinematography, black-and-white category, was awarded to Gregg Toland for his work. Nominated for original score (but losing to The Wizard of Oz) was the prolific film composer, Alfred Newman, whose poignant "Cathy's Theme" does so much "to maintain its life as a masterpiece of romantic filmmaking."
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